:: ::

Does the bass world really need yet another distortion and compression pedal? There are literally 100's of each to choose from at this point, and it is no longer a surprise when a new builder pops up and announces a new one has arrived.

I have some of them, but by no means all. I've played a lot of them, but not every single one. In my humble opinion, one that isn't being paid for by anyone, these two pedals from Lusithand have rather a lot of music to offer us.

I hope you enjoy the longer podcast format for pedal stuff. Let me know in the comments if you want more of it.

Check out Lusithand Devices (not a sponsor and not an affiliate link)

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More soon,

Janek



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Janek Gwizdala Podcast

Dive deep into the music universe with the podcast that unveils the journey of one of the most influential bass players in the music industry – Janek Gwizdala. Designed for bass enthusiasts and musicians alike, each episode is a sonic exploration into the world of groove, gear. technique, and artistic evolution.

Janek Gwizdala, renowned for his mastery of the bass, shares his life's narrative – from the early days as a budding musician to his current status as a sought-after sideman and solo artist. Whether you're a seasoned bassist or simply appreciate the magic of live music, join us as we unravel the layers of Janek's experiences, revealing the secrets behind his signature sound.

Expect in-depth conversations with Janek and special guests, offering unique perspectives on music, composition, and the art of creating an unforgettable groove. Explore the challenges and triumphs of a professional bass player, gain insights into the creative process, and discover the stories behind some of Janek's most iconic performances.

Whether you're looking for inspiration for your own musical journey or simply want to bask in the rich tones of the bass, "The Janek Gwizdala Podcast" is your backstage pass to the world of bass and music.

Subscribe now for an intimate look at the life and legacy of Janek Gwizdala's bass-centric career.

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